How To Make A N Old Fashioned Wooden Dancing Man African Dancing – The Characteristics of Kpanlogo

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African Dancing – The Characteristics of Kpanlogo

It all started with spiders. In fact, it started with the story of the spider (Ananse):

Once upon a time there was a powerful king who had three beautiful daughters but no sons. Daughters were not allowed to leave the king’s palace, and their names – Kpanlogo, Alogodzan, and Nmaa Nmaa – were kept secret from the public.

As the king got older, he worried that he would not have a son to succeed him. The wise old king plotted to get his throne. He organized a contest for all the men of his kingdom: the man who guessed the nicknames of his three daughters would win their hand in marriage and thus inherit.

Earlier, a lustful man entered the palace. He walked through the palace until he saw his three beautiful daughters playing. He began to pale, acting like a madman, making women laugh at him. Not far away, his mother heard a commotion and wanted to know what was going on. The mother calls the eldest son “Kpanlogo?” Without receiving an answer, she shouted at her other daughters, “Hello Gordan? Namana?” With this, the man also escaped, leaving the girl to explain to her mother what happened.

Exam day All the single men of the kingdom gathered at the palace for a chance to win the king’s contest. One by one, they offered it to the king, trying to guess the name of his beautiful daughter. One by one, they fail. It’s finally up to the foolish man. He wrote the song under his daughter’s name and began singing “Kpanlogo Alogodzan nn Kpanlogo Nmaa oo Nmaa oo”.

The masses and the royal family are really surprised! However, no one other than the king claims to know how Sneaky Man got to know the name of his precious daughter. Sneaky Man impresses the audience with his amazing tale of courage and bravery. The king was so impressed with Sneaky Man’s intelligence that he was happy to give his daughter his hand to marry our friend.

Like most Ananias stories, this tale is passed down from generation to generation in West Africa, especially the Accra region of Ghana, as an entertainment and educational tool. After hearing what his grandfather told him during the 1960s, a young Ga named Otoo (Otu) Lincoln was inspired to create this fairy tale. The creation of a new rhythm, now known as Kpanlogo Lincoln, incorporates aspects of the traditional Ghanaian dance known as “Lolo” as well as the African “High Life” dance with a rhythm similar to Clave. Cuba) and the influence of Bo Diddley, a black American man. Aiming for an entertaining dance, Kpanlogo quickly caught up with the young people of West Africa.

Kpanlogo drums are also a favorite of the Ghanaian people. The shape is similar but smaller than the Kpanlogo konga drum, creating a deep and soft sound. The drum is about 24 inches high and has a head 10 to 12 inches in diameter. The head is traditionally made with antelope leather, however, can be made of calf or goat skin, with calf skin making a sound similar to antelope. As a peg type drum, it is adjusted by tapping the pegs into the drum body. The drums are played strictly by hand.

The Kpanlogo orchestra consists of two Kpanlogo drums (male and female), a metal bell, a bell, a drum, or a bell. One or more square wooden drums (Tamali), gill (xylophon), bamboo flute, clap and whistle can all be combined to create this lively dance sound.

In Ga pan language it means dance and longo means turning, so Kpanlogo means spinning dance. The dance features wild swing, sausage and luxurious legs. Performed equally by men and women, “lolo” aspects, such as the hand movements of pulling a heavily loaded fishing net, can be easily seen in the structure of the dance, as can illustrate rock and roll dances. Humorous movements, rapid rotation, facial expressions, and flirting all play a role in completing the form.

The sexual arousal embedded in the performance served as the dance was temporarily banned by the government in the mid-1960s. Officials ordered the performance to consider for themselves the final decision on the suitability of the dance. Ingeniously, those who take part in this special performance always change their steps and movements. After this consideration, the authorities identified Kpanlogo as a decent social dance and lifted the ban. From this point on, kpanlogo became a popular social and celebration dance of the Ghanaian people, now performed by young and old alike.

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