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Photographing Your Collection, Part 2: The Setting – Your Studio
This is a big worm. No need to remove the gold card. Probably the most important tool you need is probably nothing more than a large north-facing window. Add a table or tablecloth and some paper cutters and you are in business.
Or trick the item with an inexpensive vinyl window panel mounted on the wall above the table, and you can set up or dismantle your studio in seconds. Make it wider, then the object you want to shoot, long enough, can be pulled down from behind and wrapped around the table. Make what is called a background seem smaller, but take it a bigger size, you think That you will need it though -trust me on this.
This is where we come out from under the light. It may be that the big old window will do the trick. Or go outside and do it there. But do it on the north side of the building. The sun itself – from the south – will not get it – sad and too bad. Or do it on a dark day. There are photographers who like the soft light of a cloudy day.
There is so much to say for a simple light bulb – a traditional light bulb or a high efficiency light bulb – it is incredible. But use all the same types. Your program can correct the whole color, but it is more difficult to adjust the blue light on one side and yellow light on the other. More about the program later.
A pair of reflectors for $ 5.00 from a hardware store works great. Pull a few high kitchen chairs, light a fire above the position, then to one side of your arrangement and you are busy. The whole book is written about how to put your lights on for great impact. Backlight to make her hair shiny The front light makes her stand out against the light black background from below to make her look exotic. High to right, low from left. Who knows. Do what looks good to your eyes. There is a place where you might want to put in a little extra effort. Things that shine, appreciate ……
A light tent is nothing more than a means of lighting around what you want to photograph. The key here is that it surrounds your stuff. Suppose you are picking up jewelry. All you need is a frame to top both sides and the back and hold the type of material that Spread. You use your two mirrors that stick to your kitchen cabinets. Regarding the material spread, one of the photographers I read introduced a pillowcase. Make a frame out of the wardrobe and tape. Then use wax paper to cover it with a few layers of wax paper. Or make an object that folds / unfolds from a thin piece of plastic. Or find a good-sized cardboard box, cut the center of each side, and line with spray paint and a thin cloth or marker. Many ways to achieve.
If the object you are shooting is small enough, you can stick a cone out of a large piece of paper, cut a hole in the front to take your picture and you are in business. You just want to get a large transparent area on some corner of the object you want to photograph. Your digital camera will sort the exposure for you if you provide a little help with lights and tents.
You may think I was actually thinking when I suggested that your computer must be part of this, but the easiest thing you can do to make your “studio” work well is to move the computer. Your to your studio or your move. The studio is near your computer. My “studio” – the end of a large table with a vinyl window shade on the top wall – sits next to my computer and I load PhotoShop, LABEL and post pictures as soon as I take them. Useful enough for me when I take 5 or 10 photos at a time, but if you are documenting a lifetime of collection – let’s say a few hundred items, this level of ease will go away to support accuracy. Your completeness and ultimately your purity.
One worm, another can. I have to admit that my own studio technique – fair to begin with – has been a bit confusing since I got a good program (PhotoShop) and learned how to use it. It seems like my camera and scanner both came with some photo editing software that I never bothered to open and now the CD is gone for a long time so I can not comment too well on what you need. Made to modify your pix. I can also say that almost all of my work is to go online and probably not the best way to go if you do print stories. No less, this is what I usually do when I get a picture on / off the camera and insert it into my ‘puter’. (This applies to Adobe Photoshop.)
# 1. From my Photoshop menu to make images, adjust brightness and contrast. Sometimes I also bend the colors a little in one way or another. Pay special attention to the shadow / center / highlight buttons when you adjust your color.
# 2 Crop and resize. Because I do it for my website. Most of my pix is 300 pixels wide and I allow the height to go wherever it needs to go. Or I make it 300 high and leave the width in proportion. Sometimes – for a silver shoot at the top of the page, for example, I go 500 wide and make a thumbnail of 100 or 150 wide.
# 3. Sometimes I choose certain parts of the image to be a bit confusing. The selection function is beyond the scope of our needs, but burning and escaping often is right for your time. But go for it gradually -10 – 20% strength and use a soft “brush” edge.
# 4. If you do a lot of rectangular things like I do -tables and drawer-cases. You may want to hang out with Edit, Transform, Skew functions to align the corners of things.
# 5. It was only after the pix size that I made it clear. Rarely do I make it clear once and honestly I’m not smart enough to do Unsharp Mask, but I have heard that good PhotoShoppers really insist it is the only way to go. Here again, I think it could be more important for the internet then it is for printing.
Some recent thoughts:
1. If your collection is really valuable, consider hiring an expert – there is the added benefit of having a witness who can provide other third party documents – perhaps even a dated statement and notary about what he Record.
2. If you can not afford to buy a professional, hire a high school kid. Or middle class kids for this. Heaven knows they know more about 9logy technology then you or me.
3. Stephen Dow wrote on the subject in detail, then I have – from the point of view of the photographer rather than the collector. You may want to take a look at CreativePro.com and find him under “digital-photography-how-to-building-a-light-tent”
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