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Unmasking A New Villain In The Fight Against Piracy In Nigeria
Time to focus on the biggest pirates in the Nigerian music industry
I think it’s really funny that when we talk about plagiarism in Nigeria, all we used to say was marketers in markets like Alaba and elsewhere. For almost everyone in the Nigerian music industry, entertainment writers and even the government, music piracy seems to start and end with local marketers in the retail market copying people’s songs without paying tribute to the musicians. Nothing could be further from the truth!
As a staunch follower of the industry and a stakeholder who has invested millions in the careers of many artists over the last two years, I have an idea that we have all allowed ourselves to get into Redfish and misrepresentation of plagiarism, which may result from ignorance, fear, or deception by our leaders in this battle.
As we can all testify, radio stations are a big part of our entertainment and music life in Nigeria. With over 300 radio stations exploding music 24 hours a day, I continue to wonder if we are worried about Alabama tax breaks when real money should be chased by radio and television stations. In short, the law is clear that royalties must be paid to various intellectual property owners every time music is played.
Radio stations by definition are the main users of music works. The programs of most radio stations are more than 90% music. The main thing they are selling to the public is music. Listeners listen to stations such as Rhythm FM Wazobia, Classic FM, Eko FM, Inspiration FM, etc. mostly to listen to music. Businesses and advertising companies also advertise on radio stations as they are reaching their target market with music. The radio station will die overnight without music for the listeners. To help you understand the essential elements of music to a radio station, imagine Rhythm FM, Classic FM, Raypower or Wazobia FM without having to play music for just a month. I guarantee that everyone will stop doing business long before that. But what efforts are being made by these stations to pay the right tribute to those who use their talents and resources to Create this music?
Now, the funny thing is that while these radio stations spend billions of Naira every year for salaries, fuel, transportation, repairs, equipment, they hardly talk about paying. Tribute to local artists in allocating their budgets. If they do, artists do not know or do not feel. I think the time is right for us to publicly compete with these radio stations for the amount they spend as an annual operating cost and what percentage of that amount is spent on the largest material (e.g., music). ) Which they used to organize their program.
For those of you who still need context to understand the size of this ignored elephant, I will cite an example of CAR DEALERSHIP. The main thing that car dealers sell is cars. Now imagine that a car dealership is budgeting for years without the budget to buy a car! Or imagine a designer shop is budgeting for the year without giving any money to get a dress fabric. Or better yet, imagine a newspaper company making a budget without offering to buy a newspaper. But that is what is happening in the meeting rooms of most radio stations across Nigeria. They take the music just by agreeing because most of our artists are ignorant and desperate to play their music.
So paying tribute to the music played on the radio station is still a big elephant in the radio room, which we have been ignoring for years in this country, and I think it’s time for someone to start talking about the big elephant. This is huge if we are to be equitable. And justice in this country.
While the fight against pirates of Alabama is indeed a good thing, I think a war of more rewards on plagiarism should be declared against music-based radio and television stations in 2011. This battle is a better battle for artists and collective society because the chances of winning and earning money are higher than fighting the fierce, faceless Alabama pirates that no one can identify. Yes. On the other hand, the radio station has a name and an identifiable owner. Radio stations are controlled by the government, which can force them to do the right thing. Radio stations are physical entities that can be selected and boycotted. So why do we leave elephants in the radio room when we chase ghosts in Alabama? I think the resources of the government, artists, lawyers and society should focus on radio stations and music-television programs in 201. We have a better chance of winning that match!
So I suggest that instead of Tony Okoroji of COSON and Mayo Ayilaran of MCSN tearing apart the issue of who should collect the tribute, they should come together to make sure our radio station raises big elephants in the room. Radio. Nationwide. I also suggest that if the New Nigerian Copyright Committee wants to write his name in history, he should ‘enter’ radio rooms across the country with appropriate regulations and demand the raising of an elephant tribute to Nigerian artists ….
In fact, I find that many celebrities in the music industry are too scared to confront radio stations and demand justice because of their reasonable fear that their artists might be put off. Blacklisted by these radio stations, but I believe this fight could be dissolved if the whole industry joins in the fight with a concerted effort using all legal means at our disposal, including The machinery of the state, the actions of the courts, the boycott, the sitting and the selection of any station that refuses to do the right thing …
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