How To Prepare For An Interview In The Fashion Industry What We Are Doing – Female Music Producers and Recording Engineers

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What We Are Doing – Female Music Producers and Recording Engineers

As a female music producer and recording engineer who works happily in the field of audio engineering, I find it interesting to note that the latest statistics estimate that less than 5% of recording engineers are women. So while I know that the total under this representative needs to be discussed, it is also important for me that we recognize and increase the visibility of women working far away in this field.

Female recording engineers are hard to notice because the work is a bit low profile behind the glass of the studio management room. However, I did meet some of the most successful and talented women, including Leanne Ungar (engineer and producer of several Leonard Cohen albums) and Mandy Parnell, who recently mastered creative and successful female musicians. One of Bjork’s latest biophilia albums. Female professional engineers are rarer, but Lodge Mastering in New York is successful and staffed by both women (and men). Likewise, US-based Silvia Massy Shivy, a creative and demanding engineer, is the only woman who can make it into the work of the great producer “Behind the Glass” by Howard Massey.

Every now and then, my favorite creative recording magazine, Tape Op, will be interviewing a woman about her recording and engineering career or working as a female musician. For example, it was here that I met Terri Winston, the founder of Women’s Audio Mission. The work of the Women’s Audio Mission in San Francisco, USA is active in training girls and women in music production and sound engineering and seems to be a popular resource. Interviews with the Founding Engineer show that many top male producers and studio owners have donated studio equipment for innovative projects, which is encouraging.

And I also went through the Smart Women’s Recording Club in London, England, which is doing a great job of helping women succeed and succeed in music production and recording. They have created a useful free guide that you can download about your first CD production and work in a recording studio with an engineer as an artist. They also run workshops for female musicians to gain more confidence in the studio so they can get the sound they want. I saw on the testimonial website that the workshop is also attracting more and more women to join the music production career.

Thus, progress is being made and positive action is being made by many women and men to ensure that more than 5 percent of women are capable of becoming competent recording engineers. So I just hope that if we have a small percentage who are already active in the music industry can work hard and develop their craft. Ours so we can see more clearly. I firmly believe that as we hear more and see more women surviving and growing in the field of voice engineering, more and more women, especially young women, will think of these professions as career choices. And the richness of the voices and the sounds in the good, and the representation of these diverse voices and voices of female musicians and recording engineers, is a good thing in my humble opinion.

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