How To Reach Out To For A Spech Shoot Fashion An Analysis of Pierre Menard: The Author of Quixote by Borges

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An Analysis of Pierre Menard: The Author of Quixote by Borges

I want to analyze the story based on the literary code developed by Barthes. They are: hermeneutic code, Proairetic code, Semantic code, symbolic code and culture code. For Barthes, the hermeneutic code represents the enigma of the text. Proairetic codes represent spatial and temporal dimensions. Semantic code refers to the level of meaning. Symbolic codes represent the division of binary languages ​​and cultural codes of social conventions.

Take a look at stories from the Hermeneutic Code, Borges writes about imaginative authors and books that do not exist. He creates reality out of imagination and imagination out of reality, and his entire exploration of fiction is a useless phantasmagoria.

He begins the story by quoting a catalog made by Madame Henri Bachelier on deletions and additions made to Menard’s article appealing to the Calvinists, Masons and Circumcised. Is he digging in conservation? Does he have doubts about tradition? One cannot fully interpret due to the ambiguity of his expression. There is an outrageous joke contained in this statement.

Borges became fiction again and went on to say that Menard’s document review was necessary for the execution of Quixote. The document is literary and describes the following:

(a) Symbolic sonnet that occurred twice in the review. Everyone knows symbolic ideas and symbolic poets. What they do not know is why Borges made a random connection to the symbol while trying Explain Menard Don Quixote. Does Borges play a practical comedy with the reader?

(B) Abbreviations that have the potential to form a poetic vocabulary of concepts that will not have synonyms or abbreviations of words that make up everyday language. Does Borges present a poetic language composition? Decoration can be done by the word dress with figures of speech or using neologisms.

(C) Statues of relationships and specific relationships with the philosophies of Descartes, Leibniz, and Wilkins. Is Borges doing something big or does he want to impress his readers that he is communicating with the philosophies of the philosophers mentioned above. Why does the author want to present to the audience?

(d) Worksheet of an acronym on George Boole’s symbolic logic. It is very interesting that Borges made this strange relationship. How can logic relate to fiction?

(E) Examination of the main metric rules of the French language. Borges is a Spanish translator. I’m not sure if he has enough knowledge to comment on the French language. The meter is again attached to the poem. How can it be equated? Is this a structural error in storytelling?

(f) Work in which different solutions are given to the problems of Achilles and Tortoise. It is very unlikely at all that is the perception of the mind. Perhaps Borges is urging readers to think that Achilles has won the race. Borges did not make Zeno strange. I wonder why Borges does not recommend alternatives.

(g) Defined analysis of Toulet syntax customs. Menard says insulting and praising is an emotional operation that does not involve literary criticism. This statement makes Borges a cause for literary theorists.

Again, Borges refuses and continues to discuss the text that inspired Menard to create the Quixote. One is a philoological piece about Christ on the Boulevard, Hamlet on La Cannebiere and Don Quixote on Wall Street. The description of Christ is inconsistent. What is the secret relationship between Christ and a boulevard? Same goes for Hamlet. Are the Moguls of Wall Street Quixotic?

Once again, author Borges mentions that Menard wrote to him that the last word in the metaphysical presentation – the objective world, God, causality the forms of the universe is common in my framed novel. This suggests that Borges is a misguided author. If the world were created by God, what could it be? Is he mixing the broth of revolution?

Again, he explained that in order to write the Quixote, one had to be fluent in Spanish, restore Catholic faith, fight the Moors, and forget about European history between 1602 and 1918. Everyone knows that Quixote by Cervantes was an anti-Catholic uprising. The battle between the Catholics and the Muslims is historically significant. Is Borges outraged when he says again that we should forget history? 1918 was a symbol for the beginning of World War I. Borges’ storytelling is very fragmented and has irrelevant interpretations from one topic to another.

Borges contradicts himself, saying that in Menard’s never-before-written text he had a phrase: ‘rivers, nymphs, and eco-lakes and wetlands.’ This makes the reader laugh happily. Borges is embarking on a luxury flight. This statement brings to mind Borges’s thoughts on Shakespeare’s quote ‘Where a malignant and a turbaned Turk’. Is a literary monument an extravagant waste? Is it built on the basis of whimsical chicanery?

Menard, in his novel Quixote, has no gypsies, no conquerors, and no mysteries. Did Borges make a mockery? Again, Borges says that in the ninth chapter of Menard’s Quixote there is a quote: ‘… the fact that his mother was a historian, a rival of time, a deposit of deeds, a witness of the past, a model. And as a consultant to the present and future of the consultant. Borges is being philosophized about history. But the basic question is: Is history real? In post-modern times, history is a methodical discourse.

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