Name Of Artist Illustrator Famous For Old-Fashioned Winter Scenes Casa-Museo Zacarias Gonzalez, Salamanca, A Memorable Visit

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Casa-Museo Zacarias Gonzalez, Salamanca, A Memorable Visit

Zacarías González is not a name that appears in many art books or catalogs. It’s not a name that appears on title tags in many public galleries. It appears to be related to the name of a less important building on Calle Alcaron in Salamanca, the Casa-Museo Zacarías González.

Zacarías González was an artist. He was also a teacher. He taught painting. He was born in 1923 and died in 2003. He lived most of his life in Salamanca, the city of his birth. He spent some time in Madrid, some on national service in Navarra and, in later years, when the Castilian winter was bitterly felt, he moved south to Alicante. He was a lifelong drawing teacher and painted in his spare time. He doesn’t seem to have traveled much.

In the Calle Alcaron gallery, a visitor can see most of the artist’s life work, which divides itself into three broad periods, representational, abstract and the rediscovery of a modified realism. Zacarías González is largely unknown in international art circles, almost unknown in Spain and a name that only connoisseurs in Salamanca will recognize. So why dedicate an article to it? The answer is simple. It is a quality of experience that deserves wide publicity and appreciation.

Louis Javier Moreno observes in his biographical note in the gallery’s excellent catalog that for many artists of the twentieth century, life is art. However, in the case of Zacarías González, he insists that this should be reversed because for this artist, art was his life. These images are intensely personal, enigmatic, intellectual, reflective, self-analytical, self-critical, refined, ascetic. They are also very beautiful. At least this work does not try to shock, it works for the outstanding personality above the conversation, using hyperbole to temporarily shock. Everything here is simply connected.

As an artist, Zacarías González seems to have visited several styles of the twentieth century in the same analytical way that a tourist is interested in getting to know a new place. He seemed to have always learned, but his power of assimilation was considerable. He notices the details of style, frames it within his own experience and then, rather than copying his orders, uses this assimilated language to communicate a personal world in visual form.

And so here, in the three floors of this Casa-Museo installed in a modest house, the well-known associations of early Picasso, cubism, surrealism like Chirico, enigmatic abstraction like Tapies, classical forms that may be drawn on, are presented. the plastic of Pompei, Klee and Rouault and probably much more. But these are not copies. They are not imitations. They are personal works that live in a stylistic world and use the language of that world to share potential expression and thus express something deeply personal through that learned assimilated language, and thus remain unrecognizable from influence. are different

The gallery’s website can easily be found by entering the name and location into a search engine and many of the works included may be found there. Personal highlights include Cerrada hasta octubre, Fuga, Fuego fatuo, Charra, La tunecina, El viaje del Dios, Viejo, viejo Mondrian, La suite de Nueva Orleans, and more.

One of the joys of traveling in Spain is sharing the oft-expressed pride in local heroes, be they artists, writers, musicians, architects or whatever. From the famous, such as Dali in Figueres or Chillida in San Sebastian or Sorolla in Madrid (which, of course, was his residence, not his birthplace) to lesser-known international ones such as the Galician painters in Ourense and Pontevedra, that of the school Almería, or Basque artists in Vittoria or Bilbao. Every town in every province seems to express a quiet, unabashed pride in local achievement and, importantly, devotes resources to celebrating that achievement with an always modest but genuine pride. There may be tourist queues in Figueres, but it is often necessary to seek out those galleries that display local work. For example, one needs to book an appointment to visit Chillida. Also here in Salamanca, there is an email link on the Casa-Museo website that allows for a pre-arranged visit. One cannot just head to the Casa-Museo Zacarías González. But do not be afraid. It’s easy to visit, and the rewards are memorable.

A visitor to Salamanca will have on their list the cathedral, the University, the palace and the beautiful and stunning old town, not to mention the new art gallery. But don’t let the obvious obstacle stop you from arranging a visit to this gallery. Any visit to Salamanca by anyone with the slightest interest in art should include a trip to the Casa-Museo Zacarías González. You will not be disappointed.

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