New York Fashion Had Two New Seasons Of Footwear Article Swimming Deep in the Yellow Book with an introduction by Oscar Wilde

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Swimming Deep in the Yellow Book with an introduction by Oscar Wilde

Greetings from the other side of the sometimes mystical and always sinister line between life and death. I know it’s been a while since I’ve printed anything, but when Mr. Kline approached me about his project, I saw it as an opportunity to not only brush up on my skills, but also to use my new automatic typewriter. Also use the IBM Selectric. I have heard a lot about it. Unfortunately, old habits die hard, and time constraints have forced me to resort to time-tested writing methods. Although my feet may never return to treading the streets of London, it feels good to put my pen back to the page.

As I said before, “artist is the creator of beautiful things”. I should have added, “Explorer beats those beautiful things with the dirty shoes of the past worn on the feet of the teeth.” This paper is nothing more than a few meritless conjectures, strung together in a rigid and nonsensical manner. The claim that I was included in the writings of the “Yellow Book” is completely false. I took great pains to distance myself from that publication and you will understand that none of the works were my creations. Yes, I definitely have a working relationship with Aubrey Beardsley. I invented Aubrey Beardsley! But didn’t Christ himself have a relationship with prostitutes and thieves? Unfortunately, the truth is rarely clean and never simple. Beardsley’s paintings and Kline’s writing stir my words, like the squiggly sparks a middle-aged boy makes next to his copybooks.

Therefore, I ask you not to judge me by this work, but rather, judge the author by it. The lowest form of criticism is autobiography. If you’re really put off by Kline’s inept attempts at abusing my character, then maybe that’s a reflection on you, the reader, and your own personal insecurities.

While I wish I had time to respond to any claims of fraud and personal misrepresentation, I am told that this must be sent to the publisher before the full moon passes. So, keep in mind, I may have literally just poured the entire piece, not acted on it at all… and therefore suggest you do the same.

— Oscar Wilde

Sometimes the best way to understand a writer is to write a page in his shoes. We can face the same obstacles, the same characters and the same passion for art and writing. Writing about literature is never easy; However, when I think of the best ways to research an author, the most obvious is to read his works. Due to shipping delays and backlogs, the first things I read about Wilde were not his writings, but his biographies. The more information I found, the more I thought that Wilde’s life was perhaps even more interesting than his literature. However, it is literature that made his life so interesting.

There in a gate Dorian Gray which notes something interesting, “a book bound in yellow paper, the cover slightly torn and the edges dirty” (Wilde 95). Even at the beginning of the discussion, the book aroused my curiosity. As my reading progressed, this literary work became the root of Dorian’s character change. I wondered what significance the book had, not only for Dorian, but for Wilde. Did Wilde himself have a “yellow book”? Is the book yellow with age, or does this color have a deeper symbolism? I had no idea the depth of information I would find in researching an untitled, dense book.

The beginning of my research led to some interesting discoveries. Among them, a periodical published quarterly in London at the end of the 19th century, Yellow Book. First, let me explain the magazine itself. While its existence was short-lived, it helped “change British society away from a homogenized male elitism” (Fraser 187). A less apt description is provided by Westminster Gazette, who argued that it would only take “a summary act of Congress to make this kind of illegal” (qtd. in Bobst 2). The first volume was published in 1894, so I knew it must not be the same book Wilde mentioned three years earlier. But wait! Perhaps Wilde was involved. The Art Editor was Aubrey Beardsley. Beardsley painted Wilde Salome. Once Beardsley also offered to translate Salome, after the translation of Lord Alfred “Bosie” Douglas failed to win Wilde’s approval (Amphagorey 1). On Valentine’s Day, 1895, Beardsley attended a performance of Wilde’s play, The Importance of Volunteering. Even more surprising, when Wilde was arrested later that year, the publication Yellow Book stopped suddenly. After Wilde’s release from prison more than two years later, the two men lived in the same town in the south of France (McGrath 1), where Beardsley lived until his early death at age 25, writing for another controversial publication. Savoy (Amphagoreus 1).

Therefore, although there is no simple connection between the two yellow books, the reference to the yellow book is included Dorian related to yellow magazine? I had to know more about its origin. Why the title? Yellow Book? It is claimed that it was Beardsley himself who thought of the title (Bobst 1). Many books were published in France in the mid-19th century with bright yellow covers, including the most famous, A Rebours, written by JK Huysmans and first published in 1884. Its title, literally “Against the Grain,” gives only a faint hint of the dangerous content within. Excerpt from the English translation by Three Sirens Press:

“This room, with mirrors hanging on every wall, showed back and forth an endless row of pink boudoirs, among his various princes, who loved to bathe their nakedness in this red-hot flood, enjoyed a great reputation. the fragrant aromas emanating from the original wood of the furniture” (Hyusmans 1).

Could this be the book referred to in Wilde’s text? Can this ‘oral pornography’ really send someone to the depths of personal despair? I think it’s more likely both Yellow Book and A Rebours descendants of a more legendary, even symbolic, yellow book.

Beardsley once said that Wilde’s writings were removed from publication for “self-interest” (qtd. in McGrath 1). This is the point in my research where I felt things didn’t make sense. Yellow Book was particularly progressive, and the writings it contained reflected views shared by many 19th-century British writers, including Wilde. He wasn’t that famous and he wasn’t famous. Indeed, the magazine’s success was largely due to its controversial content. Why not encourage Wilde to contribute? My research leads me to wonder, at first, whether Wilde was directly involved in the publishing and perhaps financing of the project, and his alleged ‘removal’ from the publication was really just a publicity stunt so well executed that it became reality. historical . The editor Yellow Book It was Henry Harland, an American expat who had previously published under the pseudonym Sidney Luska. Harland had very little financial success (Soylent 1) and Beardsley came from a family of little wealth and even less income (Amphagorey 1). Is it possible that Wilde did not want his reputation to overshadow the work of these men?

Further research on the journal reveals that publishers from Yellow Book It was John Lane, whom Beardsley fired after only four issues (Elliot 33). While Lane was most associated with avoiding controversy, the publication’s success quickly declined with Beardsley’s departure, and Yellow BookThe circulation of the peak went down. Perhaps it was just a mistake, published by an ignorant publisher. If this is true, then it must have been John Lane who banned Wilde’s contributions. But then why is it Beardsley who went on the record against Wilde? Did they both have bad blood? Or is it all for the public, who loved to focus on every detail in the lives of their new celebrities? Beardsley actually drew some nasty caricatures of Wilde, attacking his French skills and knowledge of the Bible (Bobst 1). Many of my sources seem to disagree on this point…some suggest that Wilde bi Yellow Book‘s publishing team, and others, including Mary Beth McGrath, claimed that he was on such bad terms with Beardsley that the two never spoke to each other(1).

I was hoping to find a concrete answer through my research. Maybe a yellow book in Greek or Roman mythology, or something that directly links the book to Satan. Instead, I found a lot of information about Oscar Wilde and those he was associated with in the last ten years of his life. I think, surprisingly, what I found was much more interesting than any concrete response to an old book. Maybe the reader Dorian Gray it is better to guess, think of the tattered book with the yellow cover, and think what contents could be so bad as to ruin a man’s life. The imagination of the reader could put much worse things into the ruined book than the pen of any writer. I suspect that Wilde’s true intention was to let the book be as much a reflection of the reader as it is a description of the author. In the end, this is true not only for Dorian’s book, but also for the book I have waited so long to receive. After all this, I return to the introduction, which “[T]there is no such thing as a moral or immoral book” (Wilde). Readers are the ones who determine the morality of the literature within.

Works Cited

Amphagorey, Rachel. “Aubrey Beardsley” November 12, 1998.

Bobst Library. “Part 6, The Artist’s Studio.” Reading Wilde, Questioning Places. New York University Library. 22 March 2006.

Elliot, Bridget. “New and Not So ‘New Women’ on the London Stage: Aubrey Beardsley’s Yellow Book Photographs of Mrs. Patrick Campbell and Rejane.” Victorian studies (Fall 1987): 33. Academic Research Elite. EBSCOhost. UWWC Library, West BendWisconsin. 21 March 2006.

Fraser, Hilary, Stephanie Green and Judith Johnston. Gender and the Victorian Period (Cambridge Studies in Nineteenth-Century Literature and Culture). Cambridge, UK: Cambridge University Press, 2003.

Huysmans, JK A Rebours. New York: Three Sirens Press, 1951. Ibiblio. June 26, 2003.

McGrath, Mary Beth. Beardsley’s relationship with Oscar Wilde. 1991

Soylent Communications. “Henry Harland.” NNDB. 2005

Wilde, Oscar. The Complete Works of Oscar Wilde (Fifth Edition). Harper Collins. August 2003.

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