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Tearing Down The House – A Love Affair With ‘Not The Nine O’Clock News’
Using the title as a gag against the legitimate mid-evening news on BBC1, ‘Not the Nine O’clock News’, while more interesting, topical viewing on BBC2 is favored. . Their lives changed on October 17, 1979, when the first show aired, but not in the politically incorrect fashion that was supposed to hit our screens first. Sworn in by the legendary Basil Fawlty in the “Fawlty Towers” finale, the cast of ‘Not The Nine..’ appeared young, arrogant and opinionated, or at least, as heralded as Python. ten years ago.
After line-up changes from the heavy metal band, the crew eventually consisted of Rowan Atkinson, Mel Smith, Pamela Stevenson (who replaced Victoria Wood who withdrew the episode and balanced the all-male cast) and Griff Rhys Jones (who, in (as a result, replaced by Chris Langham who decided on other searches.)
After the ‘will it or won’t it’ debate about streaming devices started, the first series seemed to go down a storm. While the tried and tested formula of the ‘open house to any comedy writer’ theme took over from Python, the world of comedy/written comedy was finally fair game. This alternative approach to comedy writing of an even more alternative style of television comedy has brought forth a wealth of new, hidden talent. The names began to catch on and became permanent fixtures in the BBC’s word papers. The anonymous storytellers were Clive Anderson and Richard Curtis (the latter to flex his muscles before embarking on ‘Blackadder’s’ successful future years.) The team spent four series in a three-year comic cabin. . ‘ and two directors. Finally Billy Connolly’s wife, Blackadder himself and one of the greatest double acts in British comedy since Morecombe and Wise .. Not bad for another low budget horror show…?
The art of the alternative comedy era was first, one of excitement and anti-establishment. When you think about it in today’s terms, it’s impossible to think about it, but still a show like ‘No News at Nine Nine’, in forward thinking, surrealism in the same light as Python in the sixties. and The Goons was later highlighted. in the fifties. The young comics were suddenly given a full park to move around. They could think, act and perform in any possible way and shape. Since the humor of social commentary used to be confined to domestic wretchedness through situational comedy in ‘Father, Dear Father’ or ‘Bless This House’, now, once in a while, the man in the street or the blind woman passes by. . the way was open to ridicule. Young talents can create comedy far from everyday life, from the calm environment behind the front door.
It’s not just allowed to write silly songs about The Prince Of Wales or mislead serious TV interviews; no, former kings, queens and figures of religious authority were open to pleas too. From the same country that, just a hundred years ago, would have literally turned its head for such a personal hit, suddenly, here it was, with everyone laughing, at the greatest medium of humanity, ever.
If the breakthrough moment was the first glimpse of David Frost in a suit clapping back at the failing jobs of MPs and the class system in his revamped brand of satire, then aspects of “Not The Nine” must have come from a few to be seen miles away “Alternative,” was the new “little black number” and it gave a good reason to break taboos, black comedy and all things surveillance. The ad lib or ‘improvisation’ as we professionally call it, at one point was enough to put a look of horror in the eyes of the Controller of Light Entertainment, so why suddenly this visual approach and play on words such comedy did accept? It was the way forward. Radio is dying, and especially after the untimely death of Kenneth Horne, one of British radio’s longest-serving and beloved; ‘Round The Horne,’ ceased to exist and Sellers had seen Hollywood, it was time to drive. Search wirelessly – the phone goes through…
For the humble hankie man, he was still on the fringes of the ‘mainstream’ – a word such young and emerging talent dreaded hearing, as shows like ‘Not The Nine’ exploded onto our balls without warning. . Rebels to the core, these young acts of comedy writers were carving their way into our minds, and for this show in particular, the word ‘cult’ was one that wasn’t just for a group of American weirdos living in a big house in the middle of nowhere. use to. not liturgical. Kids at school didn’t have lines of acting in the playground like their dads imitating the sounds of The Goons two decades ago. However the latter was auditory, and the other, visual, the same ‘rapid fire’ approach to comedy that brought us a rush of gags. It was a sure thing in those early days of British alternative; if the audience didn’t like it or at the very least, didn’t get the joke, they wouldn’t have time to think about it before jumping into another plotline. Young writers could test the waters quickly to see what worked and what didn’t without the trauma of dying, literally, on stage.
The system has changed a lot since the days of ‘shake, wink, don’t say’, when Idle donned a tweed suit and sat in a middle-class public house and shook an equally middle-class pint. Through ‘Not The Nine…’ they present us the street figures of their everyday society. Mods, punks and social outcasts; for example, politicians were on the show for humor. The sketches are more tense, and more aggressive in their approach to observational comedy. It was not difficult to find a line attacking the Catholic Church or ethnic minorities – words that could not be broadcast on today’s screens for fear of starting a riot or a subway train. However, it seems to us now that the world would be a much more comfortable place if we had programs like ‘Not The Nine…’ to think about. We as a nation were stronger in our everyday society than after the war. Unlike today, when the strong backbone that was post-war Britain is now crumbling into the sea like West Pier in Brighton. We can’t even laugh at ourselves anymore.
One thing that the ‘Not The Nine…’ team did successfully was the brilliant parodies of our lives. Looking back, it’s amazing how much the team attacked the church. Not only Catholics, but Christians and Anglicans as well. Drawing parallels with current ITV adverts and the then ‘Made In Wales’ ad, for the comic moments in the lines called; ‘In Wales’ and ‘Made From Whales’, Nothing was safe from the clutches of less sketchy alternative comedians.
Although Rowan Atkinson’s appearance as a six-foot gorilla accompanying Professor ‘Mel Smith’ in a television interview about development wasn’t enough to get your nerves tingling, it still has to be considered one of the turning points in British television. to be indicated. funny Not just to put some skills into the basics, but to bring out the inner emotion in all of us. The format was copied to a degree and can still be seen in the more successful and newer show, ‘Little Britain,’ or ‘The Quick Show’, and even, ‘A Bit Of Fry And Laurie’ from a few years back. Again, it’s not to everyone’s taste, but it can’t be beat when a style of format can still be trusted nearly thirty years on.
Although Monty Python was innovative in its day with the old-school relationships of young establishment rebels, it was ‘No Nine…’ that gave us working-class humour. As brilliant as Python was for a bunch of University students, ‘Not The Nine…’ was of a level the rest of us could struggle with. It seemed to be ‘a bit cold’, and at times, in bad taste, but always true to the life it represented – our life, and the world we lived in.
Comedy sketch shows have not previously been formatted to add some musical anecdote as the final scene and add credits at the same time. Perhaps the single most memorable video clip was the song, ‘I Love Truckin’, which controversially featured a teddy bear on the front of a truck. Songs like this are recorded on an outdoor film, then alongside a videotape from inside a studio featuring songs about the royal family, the church again and other political figures, all of which are only given a double whammy to the music. At the same time, albums were made with the program. All three albums reached the top ten, an unusual feat.
To the gullible and highly impressionable young audience, ‘Not the Nine O’Clock News’ was dull and desperate, desperate and close to the mark. Our parents looked up to her, just like their parents did, to The Beatles. The world is changing and gone are the days when the whole family, all three generations, could sit down and enjoy a comedy show—all cheesy and over the top. Now, the ever-widening valley in the society was growing rapidly, the generation was divided into two parts. Kids could mime to ‘Not The Nine…’ Not like Python, when your dad joined you in miming…
Now, humor has taken over again. If we don’t make fun of ‘Little Britain’, we’re suddenly ‘so far’, current and simple, in the deep waters of satirical panel shows like ‘QI’ and ‘Mock the Week’. Having fun in the news or newspapers is as creative as we can be.
Gone are the days of fantasy in the world of comedy scriptwriting. Writers can only sit down with a bunch of today’s new newspapers and think ‘good gas’ from doing that. Is it difficult to qualify for BAFTA…? It’s more ‘into the new’ than the visual concept.
It would be nice to go back to the days of comedy when we didn’t have to deal with each other with wordplay anecdotes about historical figures. If they’re still lost as to what it was and what British Comedy was like before the Great Depression, then I’ll leave it to you…
In series four of ‘Not The Nine…’ Rowan Atkinson is shown walking down a street, when the camera pans from the other side of the street. finds a way . That side looks at him kindly and smiles. In a moment where the camera is so focused on him, he walks straight into a lamp beam, (the clever thing here is that the flash doesn’t appear until the last second.)
In the second part of the filming, Atkinson sees the camera again, but this time sees the light of the lamp in front of him, points, acknowledges the camera on his clever discovery and then quickly drops it into a man hole…
The whole sequence lasted just a few seconds…
It wasn’t the nine o’clock news;
Mel Smith – (now a highly acclaimed director.)
Griff Rhys Jones – (currently raising large sums of money to prevent demolition of old buildings..)
Pamela Stevenson – (Married to Billy Connolly. He’s a Doctor in those things about psychiatry and the brain.)
Rowan Atkinson – (A mile from Blackadder’s, while spending time racing vintage cars at Goodwood while also campaigning for the government to employ comedians and keep material of any subject open as fair game. Here, at here!)
It first aired on BB2 between October 1979 and March 1982.
On DVD – ‘The Best of…Vol One’ (2003) BBC Buy £12.99
‘The Best of …Vol Two (2004) BBC Shop £13.99
©Michelle Hatcher (sam1942 on ciao and dooyoo and other sites) 2006
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