Old Fashioned Way To Clean Silver With A Large Pot The History of Modern Design: Expert Advice From One of the Best Interior Designers

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The History of Modern Design: Expert Advice From One of the Best Interior Designers

Design is all around us, whether we are aware of it or not. Every time a person applies paint to a pot, decorates a garment, or manipulates a surface to make a useful object more attractive, design occurs.

As societies and civilizations have evolved and changed, so has the definition of beauty. The rich and ornate baroque of the 16th century gave way to the lighter, more refined, neo-classical style of the 17th century. What used to be heavily carved and often gilded became a softer, painted surface with less detailed detailing, still visible in the gold leaf perhaps, but not as much.

In the latter part of the 19th century, the heavy and elaborate decoration of the Victorian era led to a series of reactionary design movements that stripped away the layers of color, color and texture of the time and asked the world to look at things in a new way. , more informed eyes.

The Arts and Crafts movement, which had a strong start in England at the time, developed sympathetic colonies of artists, craftsmen, architects and designers in America and Europe. As a reaction to the mass production of the Victorian era, these groups encouraged the purchase of the handmade and respected the individual artist, who often found inspiration in the motifs of the natural world.

But things took a big turn at an interesting school in Weimar, Germany. Called the Bauhaus, it was a place where all the old learning tools were thrown away and students learned to understand the most basic elements of color, shape and form, as well as the nature of materials – wood vs .. steel vs glass, etc. In addition, they studied the function of an object or structure before applying any form or style to it. It was an interesting time and place, met with the most energetic and enthusiastic people.

Within those plain walls was built a rich design stew. For example, the furniture is made of chrome-plated steel tubes with curved seats. These chairs are still in the designer’s vocabulary and still look fresh and new. Flowers and china, silver service pieces, woven and printed fabrics, typography and finally architecture were the programs of this interesting place.

The artists who taught at the school are well-known names: Klee, Albers and Kandinsky. Architects Gropius and van der Rohe headed the school at different times.

Many of the faculty eventually came to this country because Europe and Germany were less hospitable to artists and other free thinkers. They were located in the schools of design and architecture, and had a profound influence on the development of cities, buildings, and interiors and what we call Modern Design.

One of the things Modern Design has done is to open up the box that is the room, both literally and figuratively. A great example of this is the use of glass. Now glass can be made in large sheets, and in contemporary houses and buildings sometimes the entire wall surface is glass. Other materials such as steel and concrete are used in the same innovative ways.

When we think of Modern Design, we think of bright, open spaces, often light in color, and decorated with simple but bold furniture, and colorful and strong art. In Modern Design, few pieces are used but each piece has its own interesting character and feature.

Sometimes, entire rooms are created with all new and custom furniture, with each piece designed for that particular client or project. These rooms, like period rooms from other eras, have a special and powerful cohesion and cohesion. One can think of great rooms in museums or houses, where all the furniture is from the same period, and they have a powerful richness and saturation. New rooms can have the same power when all furniture, rugs, lighting and art are created and combined to create an environment that is greater than the sum of its parts.

If you’re ever in Chicago, try having lunch at the restaurant in the modern art branch of the Art Institute and you’ll see how amazing a tightly designed room can be. This recent addition is by the internationally renowned Renzo Piano and the restaurant is named for him. The room is one of those places where every surface and fixture is right. All glass and white with a wide pale oak floor, the spacious space is divided by beautiful banquettes, the tables are filled with pale white vintage plates, the china and silver are all simple, unique and contribute to the experience. The roof is plain and simple, and provides lighting, ventilation, sprinklers, speakers, and security, and yet is so masterly in style that one is not aware of all those necessities until one looks for them. These kinds of experiences inspire designers to continue and improve what we do.

Other times and situations will require mixing old and new. At Hughes Design, we sometimes create great empty rooms, where there’s nothing more classy than a stunning antique console or chest of drawers against a bold, bold wall. We like to mix old and new. However one rule we have is that quality always goes hand in hand with quality. So you want to buy the best you can, even if it means buying fewer parts. So, feel free to create those clean, empty and dramatic rooms inspired by Modern Design, either with period furniture or a well-rounded mix of other eras. Somehow, good design always goes well with good design.

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