Popular Fabrics To Use For Fashion In The 18Th Century The Silhouette- In Georgian and Regency England

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The Silhouette- In Georgian and Regency England

The silhouette It was a picture of a person showing only an outline, usually filled with solid shadow, and often, in profile. Its name comes from it “Etienne de Silhouette,” the French financier general who lived from 1709 to 1767. He was a famous thrifter, so his name became synonymous with everything that was done or made cheaply, such as silhouettes, in addition he completely decorated a new house (to save money) by cutting out small silhouettes from black paper.

The popularity of the silhouette was actually partly because it was cheap (much less than painting a portrait, for example), and could be produced quickly, but also because it was a fascinating art form in its own right.

There are several types of silhouettes but the most common ones were cut from black paper with scissors. They may also be called “paper cuts”, “shadows” or, as in England, “shadows”. Once the black shape is finished, the paper can then be glued to the white (or at least, lighter) backing card and you have a finished image. The silhouette was also popular in America, where you could make one on the streets, like in Philadelphia, for a penny, and in minutes. In size they resemble a small photograph, and once daguerreotype was invented, the silhouette quickly waned in popularity.

In the last decades of the XVIII century (Georgia England) and at the beginning of the nineteenth, (Regency) however, silhouettes were still angry. In the courts of France and Germany, they replaced the miniature portrait. Miniatures, as I explain in a separate article, were popular among celebrities as diplomatic instruments, and as personal tokens among anyone who could afford them. In contrast, silhouettes made portable images of loved ones affordable for almost everyone, and could even be used as wall decorations. All you needed was someone who could create them (“a portrait profile”) and a few pence. Over time, their popularity shifted to the wealthy, who had “silhouettes painted and encrusted with precious stones in gold and caskets. Royalty commissioned porcelain dinner services with silhouettes. Common people kept albums with silhouettes of their family and friends. filled in.”

Play hard, making silhouettes was a popular parlor game (aka Shades), where everyone could try their hand at art. The finished pieces may not have been works of art, but making them sure was a fun way to pass the time. (The game called “Shadows”, by contrast, was mostly hand made using shadow scenes on the walls; nothing was drawn or taken away from the exercise except for a few laughs.)

The Concise Brittanica explains that the silhouettes were made “by drawing a map drawn by candlelight or lamplight,” which is certainly how the average person did it. However, “when photography made silhouettes almost obsolete, they became (only) a form of folk art practiced by itinerant artists and caricaturists.”

Auguste Edouard, French, cut full-length silhouettes. Another traveler was the son of an American silhouette artist Master Hubbard, who cut profiles in 20 seconds.

We have a beautiful example of a silhouette Cassandra Austen, Dear sister Jane. (Use the link below to download my April magazine, which includes illustrations with this article.) Notice the subtle details? This was done so that the “shadow” could be reduced (“using a reduction device known as a pantograph”) then painted with “soot, or black light, on plastic or glass”. hair, hats, ribbons, bracelets and other essential accessories of the day would be ‘drawn’ using a fine brush, with finely ground pigments.

Another silhouette style (with yellow background, see example in download). Jane Austen self-portrait. Although more simply executed than the first, it is a fine example of art. According to an antique site, the silhouette of the future is likely to be made in the following four forms:

  • Painted on paper, card, clay, ivory, silk, or porcelain;
  • Reverse painting on glass;
  • The flower is cut with the help of a machine or, rarely, by hand. In this process, the figure is cut out of the paper, thus leaving a negative image. The paper map is then backed with a contrasting pattern of paper or fabric; Or,

    Cut freehand with scissors or a sharp edge and then paste on a contrasting background (usually a light color). “

    In England, from the late 18th to the early 19th century, (Regency designer, in other words) was a famous silhouette artist John Myers (1756-1821). It was before him John Field. JC Lavater, A German who dabbled in science used a machine to make what he called “scientific” silhouettes. (I assume that “science” in this case means “truth”.)

    If you Click the link below to download the app, you will see, as the final illustration of this article, a silhouette called, “Swinging Corpse”, which is a photograph by Bill Nye. history of england published in 1900; (Entitled, “A Reluctant Taxpayer”!) The photo was cropped (removed the background) to make it a silhouette, but I thought of this since I was also doing a series on “Killing and Intimidation During the Regime”. The particular silhouette was a fitting photo capture. (laughing)

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