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The Nikon D3400 Picture Controls and Effects – How to Use Them on the Nikon D3400 DSLR Camera
IMAGE CONTROLS The Nikon D3400 is in many ways similar to the effect you can get if you put a filter in front of your lens. Filters change the exposure of your image – sometimes subtly – and you can manipulate the image controls when you’re in the semi-auto modes, which are M, A, S and P. You can’t control them once you’re inside. automatic modes, although they still apply. For example, if you look at PORTRAIT MODE, you will see that the image control is for portrait and if you are in LANDSCAPE MODE, you will see that the image control is landscape. They’re gray, so you can’t change them, but they’re there and so it’s fair to say that the image controls are applied throughout the mod – and that’s why it’s worth knowing if they what are they doing Here is a brief overview of what the image controls do and the type of effects they will have on your images as well as your videos.
So the first Picture control on the D3400 is the STANDARD PICTURE CONTROL and this setting does some sharpening and a little boost for contrast and saturation. Basically this is the daily setting for image control. It is used in automatic settings and you will probably use it most often in M, A, S and P.
Another of the D3400’s picture controls is NEUTRAL. The neutral setting only applies a small amount of sharpening without any other adjustments and this can be very useful if you want to work on the image later in your editing software, as it means you have the most natural look and you can get what you want. apply. want to make the picture as simple as possible. The VIVID picture control really boosts contrast and saturation while also enhancing sharpness. Now this is useful if you want to print directly from either the camera or your memory card without doing any post-production work on it, but often it’s a little too saturated and the color tones look a little unnatural. It’s not really good for portraits because it doesn’t do very well with overall skin tones.
Next is the MONOCHROME option in the D3400’s picture controls. The Nikon D3400 will convert the image to monochrome, but it’s not just black and white. You can also change it to a sepia image or a cyanotype image. I would recommend that if you are going to take a photo and turn it into a monochrome photo that you take the photo in color and then go into the retouch menu in the camera and edit it there because then your original will always be there as a photo. . original color image. The D3400’s PORTRAIT picture control gives you just a little bit of sharpening that can work to make skin look a little softer in the picture, and it also works to make sure skin tones are as accurate as possible. The LANDSCAPE option in the D3400’s picture controls is very similar to the live picture control in many ways but it just adds a bit more blues and greens and is really ideal for shooting landscapes and nature scenes.
The last option you have in the Nikon D3400’s picture controls is FLAT, and it’s actually designed for video. The reason for that is that it really ruins the pictures and videos. When you’re editing video, it’s much easier to add color and saturation to the video post-editing than to extract it, and so it creates a very low contrast, flat look that you can apply whatever you want. edit and make the video or movie look exactly how you want it to look without constraining and limiting you by getting too much saturation or too much color in it.
Well, those are the Nikon D3400 photo controls and how they can affect your photos. However, if you wish, you can edit the image controls in detail. You can only do that in the semi-auto settings, but if you’re in M, A, S or P and you go to MENU SCALE and go to BUY MENU, then below white balance you have the option to SET PICTURE CONTROLS. Now if you select that then you get a list of all the image controls that we just found and if you press the multi-selector on the right then you can go into the inner workings of each of those image controls and edit them. You can change the SHARPENING, CLARITY, SHARPENING, SHARPENING, SHARPENING and HUE, and you can do this either by clicking the multi-selector which gives you units of 1 or you can use the rotary knob at the top. gives you 1/4 units, so you can see that you can be really subtle in the way you change these image controls. Now they only work for M, A, S and P because if you go back to automatic settings then you only get the standard controls, which are not changed by you but it’s worth knowing because it can be detailed change the picture. so that it looks exactly how you want it to.
Ok, now let’s look at Nikon D3400 EFFECTS. You can say with the picture controls that to some extent you’re simulating what you can do with analog photography or with clever printing effects or with filters – which you can place on the front of the lenses. But with the effects here, these are completely digital and they are very effective. One of the usual things I think about is that you can actually set them up before you take the picture or in most cases the video and that means you can see it through the back screen and decide whether it is already true for you. Do not press the button or record. Now that’s really cool, but you can also apply most of the effects after you’ve taken the still image by going into the RETOUCH MENU and going down and looking at them there. There are a few changes when you are in the video setting.
The first of the Nikon D3400 Effects is the NIGHT VISION MODE and it is actually for use in very low light and therefore it is shot in black and white which allows the camera to push the ISO to its upper limit. The image itself is very gray but you would expect that in low light and I really don’t recommend using this effect unless you really need to. The VIVID option in the D3400 Effects really tweaks the saturation and contrast and can therefore give you a really crisp and bright photo or video. POP will also increase the overall saturation of the image, although it works better with pastels than brighter colors. PICTURES will take a photo and make it look like a picture. It sharpens the lines and simplifies the coloring for a kind of comic or poster effect. CAMERA EFFECT IN TOY The Nikon D3400 gives the impression of an image taken with an old camera with a plastic lens. It has some shading around it and you can change the color to a little blue or a little yellow.
The MINIATURE EFFECT transforms an image by highlighting the edges, thus bringing out the subject in the middle. In fact if something is taken from an angle of say 45 degrees or so and taken from a distance, it can give the impression that the subject is a toy or model in a diorama. In video it has a really neat effect of creating a time lapse video, again with the miniature effect of outdoor lighting, but it speeds up the video capture process giving you a time lapse effect. It is not recording sound at this point and so it will remain silent.
In SILHOUETTE MODE in Nikon D3400 effects, the camera adjusts the brightness for the brighter part of the image so that it can silhouette the subject against the brighter background. When shooting a light subject against a light background, use a HIGH KEY SCALE – the camera applies some exposure compensation to slightly overexpose and add some light to the image. When photographing dark subjects on a dark background, use LOW KEY SCALE. This mod also tweaks the details a bit to get better definition between shadows and highlights. COLOR SELECTION in the D3400 effects is a really useful way to make a very bright image. Basically, what it allows you to do is choose up to three colors to remain in the image while making the rest of the image black and white. Again, you can do this while you’re taking a photo or video, or you can do it later for stills only in the retouch menu. It is very easy to do.
Control your image as I say work on all the modes on the model but you can change them in M, A, S and P and I showed you how to do it and when you see the effect then from remember that you can apply them before you take a photo or in most cases after and while you’re shooting the video you can apply most of them to the video, and those that don’t translate immediately from the footage to the video can give you some really interesting effects. , so they are worth seeing. They may not be your main daily necessities, they may not be the things you always go to straight away, but they are there and I think they can really make a difference with your footage and video.
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